Thursday, 25 July 2013

Pre-planning an Essential Necessity!

 The “Aurora”, an Earth to Moon Shuttle – or ETM Shuttle, was a design that floated around in my head for quite a while. A necessary vehicle for my next epic motion picture, working title, “Anniversary”, it needed to launch vertically and travel to the Moon. A friend had given me a 1:72 scale Russian “Backfire” aircraft a couple of years ago, fully assembled and awaiting the paint job. Being unhappy with it, he had passed it on to me in the hope that I may be able to do something with it. Quite a large model it was too, with an impressive wingspan, however a few parts were missing such as the undercarriage doors, although they could be in my collection of parts in the shed. Stranger things have happened in my shed! So there it sat on a shelf for a number of years until a couple of other kits fell into my lap, namely a pair of 1:48 scale “Thunderbirds” F-100 aircraft. All of a sudden inspiration struck and off I went! Halfway through this project I needed some additional inspiration so I visited one of my favourite sites – Space Models Photography, operated by Keith McNeill in the UK. His scratchbuilt Aurora photographs on its launch pad gave me the ideas I had been seeking. His wonderful site can be found at:



 With my trusty hacksaw I removed the main wings, tail fins and vertical stabiliser from the “Backfire”, leaving me with a bare form that I could mate the F-100 fuselages to on either side. 


The fuselage was carefully prised apart and work began from the inside out, installing all the lights that I thought would give a nice look to the finished shuttle. A small, 3mm high intensity LED was installed in the cockpit, just in front of the pair of pilots who came from the spares box. Being quite small at 1:72 scale, they were glued directly into their seats without any further additions as very little of them would be seen from the outside, just the red glow and some vague human shapes. The canopy covering the cockpit area was carefully cut with a razor saw to form a new viewport area, a simple arched window which was “glassed in” from behind with a thin acrylic sheet. Ribbed sheet became the anti-glare panel in front of this viewport. A flashing LED was installed atop this nose section and the wires joined to those trailing from the cockpit LED. After trimming the sharply angled side intakes to a different look, some scribed sheet was glued to the leading front indentation, along with plain styrene sheet to cover over the surrounding areas. To facilitate certain filming angles which would occur many months later, a lot of internal planning was carefully thought out before joining the two halves of this front fuselage area together. A 7mm section of brass tube was inserted through the lower half of the cockpit area, under the pilots’ seats and firmly glued into position, while a length of heavy gauge wire was looped and glued alongside the tube. The wire loop would allow me to suspend the model for the launch scene and the tube would be used as a mounting point to suspend the vehicle from the nose. The pointy nose of the original “Backfire” had been sawed off at this stage. A new undercarriage cover was quickly cut from styrene sheet and glued into place. With one pair of trailing wires dangling from the rear, the front section was basically finished.


With the rear half of the fuselage, the internal procedure was basically the same. As I required two separate circuits to control the lighting, one for the main launch engines and another for the navigation and flashing bulbs, I had to construct a pair of styrene boxes to hold two sets of AA batteries to provide power. These were securely fixed into two rectangular holes cut into the lower half of the main fuselage. Luckily, being a large open area, there was enough room to position both of them one after the other. Small slots cut into one side of each allowed the wires for the lights to reach the pairs of batteries. An additional 5mm flashing LED was placed in the underside of this rear fuselage, between the pair of battery boxes. As there were two extra engine exhausts supplied with the F-100s, they needed trimming down and joining together, after which they were glued to the end of the upper fuselage section. Two more 5mm high intensity LEDs gave them the necessary rocket engine glow.

I knew I wanted an upper wing assembly for the shuttle which would be securely glued to the tops of the three aircraft fuselages, so I went about creating two of them from sheets of 2mm styrene. After roughly cutting them out and trimming them, they were secured together temporarily with superglue and carefully sanded as a pair to ensure that both were identical. On the lower half I added some Evergreen square tube around the perimeter, leaving a 5mm gap around the edges, along with extra strips down the middle to add strength and support to the wing. More red and green 3mm LEDs were added to this section as well, red on the left and green on the right of course. A late addition was the drop tank half and rear landing gear cover that I cut from a swimming goggle container of all things. Styrene rectangles became the bogus doors for this landing gear. On the upper half I needed some interesting detail areas so I removed a pentagonal section from both sides and backed it with two pieces of styrene sheet that I scored parallel lines on myself. Down the centre of the upper wing half sits the 1:200 scale (I think) hull of a ship that I located in a box somewhere. The bow was trimmed back at an angle and backed with a small piece of ribbed styrene to represent an intake grill. It may not be completely logical, but it definitely looks better with it added. Another 5mm flashing LED was added to the rear, with the wires leading down through a hole in both the upper and lower wing sections. Because I intended adding large ion engines to the outer parts of both wingtips, additional wires were fed through holes to join up with this flashing LED. These wires would later power another pair of red and green LEDs to be positioned on the outer sides of the ion engines used for travel in space. The ion engines themselves were purchased in a pack of three LED torches that were powered by a trio of AAA batteries and boy, are they bright! As I wanted four ion engines in all, I had to buy two sets of torches at $15 each – a bargain as the extra torches would be used on another model project in the future.

I assembled the F-100 fuselages temporarily with masking tape, along with the front intakes and rear exhaust ports, and installed red and green LEDs on the top of each, as well as 5mm high intensity white LEDs for the engines. Luckily the F-100 kits had come with alternate engine exhausts as these had been added to the fuselage of the “Backfire” as additional rocket engines, making a total of four in all. These white, high intensity LEDs were extremely bright, in fact very difficult to look at directly, although at about $6 each, they were quite expensive but very necessary to achieve a good engine glow. Araldite, the two-part epoxy, was used to glue the lights into position. Originally I had considered pumping smoke through the engine exhausts to simulate liftoff, however after many attempts to make this work on such a small scale, I opted for just the engine glow instead, relying on inspiration and shooting angles to achieve a satisfying liftoff for the video camera. Both canopies were glued into position and then I sanded furiously for a number of hours to remove any vestiges of the many raised panel lines present on the fuselages. The rear tail wings were removed, landing gear covers installed and any large gaps covered over with strips of styrene, after which the two halves were securely bonded with Araldite. The vertical stabilisers from both kits would be added to the top of the wing assembly at a later date.

In order to mate all three fuselages together firmly, I used Araldite liberally, firmly gluing the F-100s to the upper fuselage section of the “Backfire”. For additional strength and to provide two more mounting points for the model, I cut holes and inserted a length of square brass tube right through the three fuselages, secured with Araldite and car putty. As I was unsure what the final weight of the model might be and where its centre of gravity lay, I resorted to using the square tube instead of the previous round sections so that the model would not swing around whilst filming it. Smaller brass tubing, topped with a styrene cap, telescopes into this larger piece snugly and hides the mounting points on either side of the fuselage. An additional hole was then drilled vertically through the “Backfire” fuselage, as well the wing assembly, to install yet another 7mm brass tube which extends from top to bottom and provides two more mounting points for the model, making a total of five in all – in the nose, both sides of the fuselage and both top and bottom. The pair of vertical stabilisers came from the F-100 kits, left as is except for a couple of short lengths of narrow brass tube inserted into the base of each to firmly anchor them to the upper wing surface.

To power all the lights in the final model, fourteen in all, two battery boxes had previously been constructed in the lower half of the fuselage. Rectangular styrene covers for the battery boxes were cut out. These would be fixed, temporarily, with superglue. Small slide switches were installed within the open rear landing gear recesses and all the wires had to be routed through the model to connect up with the switches and battery boxes, a daunting undertaking considering the number of them and the layout of the lights. I thought I had plenty of room inside the “Backfire” fuselage, however with the two battery boxes, two switches and all the wires, it turned into a sort of nightmare to co-ordinate. When it was all organised, the lower half was Araldited firmly to the rest of the fuselage. Sheet styrene pieces were used to conceal the resulting holes and gaps because the wings had been removed.

 For the side-mounted ion engines, powered by a quartet of LED torches, I had originally considered using a section cut from a plastic kitchen container which seemed an ideal shape. As I had one of them, then it seemed feasible to be able to locate a second one fairly easily. No luck at all. I searched and searched in vain and had decided to vacuform two sections from the one original I had, however the resulting shapes would have been far too thin and flimsy to act as the engines, especially with the weight of the torches, so the hunt was on once more. At a local K-Mart I spotted some plastic, litre measuring jugs for just $2 each. After purchasing three (just in case a mistake was made), I took them home and proceeded to mark one of them up in permanent pen to form the half-cylindrical shapes I needed. A stroke of luck ensued when I spotted an interesting shape at the local recycling centre in the form of a food pusher, used to shove edible items into a kitchen processor. After a fruitless search trying to locate a matching partner, I resorted to carefully cutting the one I had in half.
These basic shapes were strengthened with sections of 2mm styrene at the rear where two holes were cut, both about 34mm in diameter, to accept a pair of PVC plumbing pipes which the torches slid into quite comfortably. These two tubes ran half the length of each engine, firmly cemented into place with Araldite and car putty.

The torches slide into the tubes, allowing me to turn them on and off at will for filming purposes. Being quite heavy, the torches will have their trio of AAA batteries removed until they are needed to fire up the ion engines for the video shoot. Scribed plastic sheet was added to the front of each ion engine to form an intake, while some Evergreen strip was wound around the leading edge to provide a necessary recess. A red and green LED was also added to each respective outer side of the engines, the wires already present and protruding from the wingtips that the engines would be fixed to. To secure the engines to the wings, Evergreen square tubing formed the bracing to secure them in position.

Following a lengthy bout of sanding and filling, the shuttle was finally ready for painting. I primed the entire model with several coats of good quality acrylic car primer, followed by another round of sanding with very fine steel wool to achieve a smooth finish.

The colour scheme I had chosen to do consisted of a few light base coats of Vanilla White, after which the entire model was masked off and certain areas were sprayed in Metallic Polaris Blue, including the ion engines, shuttle underside and the wingtop recessed areas. Gunmetal was used on the four rocket engine areas and the ion engines, ie. the protruding ends of the LED torches. The leading edges of the wing and the pair of vertical stabilisers were carefully handpainted in Tamiya Flat Red, along with the seven intakes areas. Using a fine, permanent black pen, I added a myriad of panel lines to the whole surface of the model, tracing carefully along a steel ruler and a narrow piece of thin acrylic to achieve the lines on the curved sections. Generic decals from the spares box were added to various areas of the model, followed by a round of coloured pinstriping tape which had been trimmed to half of its 3mm width. With a 2B pencil I sanded the tip until a small mound of graphite resulted and carefully smudged some of this to produce a panelling effect over the model, using a piece of paper to achieve the straight edges. A number of matt clear coats protected the paint, tape, decals and graphite panelling. The "Aurora" name and Earth to Moon symbol were created in the computer and printed out on decal sheet, after which the new decal was sprayed with a clear coat to protect them.



With five separate mounting points, fourteen LEDs, four AA batteries, two switches and quite a length of wiring, the “Aurora” shuttle is finally ready to transport passengers from a launchpad, all the way to an orbiting platform near the moon, and then return to Earth, soaring down through re-entry, to land like a conventional aircraft. I’m quite happy with the resulting model. Even though it took quite a bit of time and additional work, not to mention making a couple of mistakes along the way, the lights were certainly worth the effort and add that something extra to the model during photography. I’m hoping that it will perform just as well for the video camera in the near future.
More completed photos will follow after I construct the Launch & Assembly Building (LAB) and the launch pad itself, both of which are sizeable undertakings, the LAB itself being about 60cm in height. (Many thanks, once again, to Keith McNeill for allowing me to copy his interesting design for the LAB).
Take care and keep on modelling!


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